Not to say these people aren't good looking (Helena Bonham Carter is especial an extraordinarily beautiful women) but they are not the stereotypical superficial models we have seen before. I am glad they are doing this and I think it is rather clever of Prada as by doing this they are saying and promoting not just beauty but also substance, quality, gravitas, success and talent. Which I can relate to as a bespoke tailor as although the finished look of the suit I make is extremely important, just as important is the quality, skill and labour of love that goes into the construction. I can also relate to Prada doing this as I have done the same for my collection and have extremely talented people modelling for me, but more on that later..
24/05/2012
Quality over aesthetics
Celebrity has always been key in promoting fashion, none more so than movie stars. But recently there has been a trend of using actors and actresses on the calibre of there skill in there profession rather than just on there physical appearance like in previous years. You can see here in the Prada autumn Winter 2012-13 Milan menswear catwalk back in January, where they used Jamie Bell, Willem Dafoe, Tim Roth, Adrien Brody and Gary Oldman.
Now Prada have done it again with this Roman Polanski fashion film staring Helena Bonham Carter and Ben Kingsley, two truly great talents.
Not to say these people aren't good looking (Helena Bonham Carter is especial an extraordinarily beautiful women) but they are not the stereotypical superficial models we have seen before. I am glad they are doing this and I think it is rather clever of Prada as by doing this they are saying and promoting not just beauty but also substance, quality, gravitas, success and talent. Which I can relate to as a bespoke tailor as although the finished look of the suit I make is extremely important, just as important is the quality, skill and labour of love that goes into the construction. I can also relate to Prada doing this as I have done the same for my collection and have extremely talented people modelling for me, but more on that later..
Not to say these people aren't good looking (Helena Bonham Carter is especial an extraordinarily beautiful women) but they are not the stereotypical superficial models we have seen before. I am glad they are doing this and I think it is rather clever of Prada as by doing this they are saying and promoting not just beauty but also substance, quality, gravitas, success and talent. Which I can relate to as a bespoke tailor as although the finished look of the suit I make is extremely important, just as important is the quality, skill and labour of love that goes into the construction. I can also relate to Prada doing this as I have done the same for my collection and have extremely talented people modelling for me, but more on that later..
15/05/2012
Great British Fashion Stamp
Yesterday while at Holland & Sherry of Savile Row I got to see a Tommy Nutter Suit that was originally made for Ring Star. It was to celebrate the last 60 years of british fashion and the marking of this by Royal Mail today releasing 10 new first class stamps each with a different great british fashion designers work, which include;
- Hardy Amies
- Norman Hartnell
- Granny Takes a Trip
- Ossie Clark with Celia Birtwell
- Tommy Nutter
- Jean Muir
- Zandra Rhodes
- Vivienne Westwood
- Paul Smith
- Alexander McQueen
I just hope one day my work will make it onto a stamp.
20/04/2012
The Dogocle
I always feel bad when I see a dog that has been dressed up by its owner in some ridiculous outfit. People do not look good in tracksuits (especially pink velour ones), slogan T-shitrs or anything with the superman logo on it, so why would our canine friends?
I can always tell by the look on the dogs face that it feels ashamed to be wearing such awful attire.
So I was happy when I came across Warby Parker's limited-edition "Warby Barker" collection of vintage inspired glasses for dogs. Finally those beautiful animals to have an accessory that actually accentuates the aesthetics, something for them to be able to celebrate their style and elegance, and nothing celebrates that more than the 'The Dog-ocle'.
http://www.warbybarker.com/
I can always tell by the look on the dogs face that it feels ashamed to be wearing such awful attire.
So I was happy when I came across Warby Parker's limited-edition "Warby Barker" collection of vintage inspired glasses for dogs. Finally those beautiful animals to have an accessory that actually accentuates the aesthetics, something for them to be able to celebrate their style and elegance, and nothing celebrates that more than the 'The Dog-ocle'.
http://www.warbybarker.com/
11/04/2012
The First Suit of Many
I was flattered when a friend of mine, a Mr Ed Jackman from the band The Strangerhood asked wether I would make his wedding suit for him back in the start of 2011. Of course I accepted. I was nervous to start as although I had been tailoring for some time this would have been my first commissioned piece and not to mention that it would be worn on the most important day of his live.
We started with a conversation about what he wanted from this suit. We decided on something less formal than traditional wedding attire because he wanted something he could wear again and again. We wanted something cool and casual, yet with style and presence. So I put together a mood board and a fabric sample collection, and over a pint we came up with some good ideas.
Finally I put together this final design board with details and influences. We decided on two beautiful brown wools from Holland and Sherry on Savile Row and Ed picked out an electric shot satin orange lining with a sky blue piping. The final design was a teddy boy inspired design, something that said 50's rock'n'roll yet with a modern cut. It was a tradition Savile Row style cut with nipped in waist, roped shoulders and slim sleeve that gives the wearer a leaner look.
After drafting a pattern from Ed's measurements I cut the cloth and did a first baste and a first fitting. There were a few minor alterations that needed to be made, for example the shape of the trouser leg and the length of the jacket. But that is why you have more than one fitting with bespoke tailoring so that you can sculpt the small details to a perfect fit.
After a few weeks and a couple of fittings we had a finish product. Finished with an orange top stitch and horn buttons, I also added some personal touches like the design and a personal message sewn into the bottom inside pockets. The finished result I think was fantastic and I was really proud of it. As you can see they both looked beautiful on the day.
And now a massive congratulations on the birth of their first child, little Leonard Darragh Jackman, I wish you all the best.
04/04/2012
Don't Forget to Vote!
Recently I entered an Ozwald Boateng design competition to have the chance to spend some time with the designer. He is one of my role models and the reason I got into tailoring in the first place, so I really need to win this. So please follow the links below and first 'like' the page then click 'vote', then proceed to click 'vote' every hour for the next week. This would be an amazing opportunity for me and my career so anything you can do would be great. I would like you to vote for all four boards of course but if you only have time to vote for one could you make it the bottom, the final designs board. Thank you.
Here is my entry....
'Extraordinary Journeys, inspired by Ozwald Boateng and Joules Verne. A collection designed around an adventure. Like an early explorer, one would face many hardships and obstacles, eventually fabrics would become distressed and torn, but these are worn with pride that adds character and heritage. With this worn look and its binary opposition of a clean tailored cut and refined detailing, it shows a gentleman and a dandy that can return home from having gone to the end of the earth and back, and still have the sartorial elegance to have his top button done up, his bow tie tied and his pocket handkerchief square. '
Here is my entry....
'Extraordinary Journeys, inspired by Ozwald Boateng and Joules Verne. A collection designed around an adventure. Like an early explorer, one would face many hardships and obstacles, eventually fabrics would become distressed and torn, but these are worn with pride that adds character and heritage. With this worn look and its binary opposition of a clean tailored cut and refined detailing, it shows a gentleman and a dandy that can return home from having gone to the end of the earth and back, and still have the sartorial elegance to have his top button done up, his bow tie tied and his pocket handkerchief square. '
Vote here - Mood Board
Vote here - Design Development
Vote here - Accessories & Fabric
Vote here - Final Designs
03/04/2012
What to wear this summer
Seersucker, linen, Straw Boater, Pastel Pink, 70's style, Double Breasted, Oxford Bags, Liberty Prints, Pastel Blue, Cotton, Regatta Stripe, Straw Panama Hat, Turn ups, Wide Lapels, 1920's cut, Ivory, Peak Lapels, Cigar Brown, Fedora, Pleated front trousers.
This is what I will be wearing.....
Images courtesy of Fashion Wall Street
But here are a few more examples...,
21/03/2012
Ozwald Boateng, 'A Man's Story'
Thursday the 23rd of February I was lucky enough to be invited to a special preview showing of Ozwalds Boatengs film 'A Man's Story' at London College of Fashion, which was followed by a Q&A with the man him self.
After a long day spent travelling around London to do fittings for a few of my clients I was excited to get to LCF in the evening for a nice sit down, some complimentary drinks and popcorn and the intriguing and inspiring story of the life of one of the most influential tailors/designers, not to mention one of my personal hero's.
For those of you who don't know who Ozwald Boateng is, he is a Savile Row tailor is part of the Renaissance and new bespoke movement, taking the traditional British tailoring craft and making it cutting edge and contemporary. At the age of 28 he was the youngest and first first black man to have a prestigious Savile Row address. In 2004 he was appointed as creative director of menswear at Givenchy, bridging the gap between Bespoke Tailoring and Couture Fashion design. Being British with an African heritage gives him this wonderful mix of craft and culture, something that I admire most about his garments is his beautiful attention and rock'of'eye for the cut and his amazing colour pallets.
Tailor to the Hollywood elite Ozwald Boateng started making suits at the age of 16 on his mothers old sewing machine and made a business that went from strength to strength going from a living/working studio in Portobello Road and being the first tailor to show a catwalk collection at a Paris fashion week to having his own Savile Row tailoring house and being a global fashion name.
'A Man's Story' is a documentary film about his journey through the fashion industry and the ups and downs that has lead to his success. Director and film maker Varon Bonicos follow and film Ozwald over 12 years capturing ever part of his personal and professional life.
The man has such an energy, charisma and passion it is hard not to be captivated by him and this film is a great insight into the man behind the cloths. You can feel the love and passion of what he does in this film, for example the way he gets an energetic buzz about him and will dance about when he is working and creating, which reminds me of how I feel when I do some great work or have a great idea and it makes my adrenaline flow and I cant keep still.
What I found most interesting about this film is that Ozwald bares all and is very open about the struggle and sacrifices he had to make to get to where he is today. On the face of it Ozwald comes across as this invincible and confident force of nature, but it was inspiring to see that it wasn't all smooth sailing and that his journey included some low points like divorce, financial troubles and even a whole collection being stolen along the way. But it was nothing that he could not over come with a lot of hard work and drive, which as someone who is one of my role models it truly inspiring and gave me confidence in that also being a Bespoke tailor that anything is possible.
I would like to thank Ozwald boateng as it was after seeing him and his work on a TV documentary that he made a couple of years ago call 'Why style Matters' it inspired me to be a Bespoke Tailor/design in the first place. So it was an honour to be able to be invited to this special screen along with the Q&A and listen to him talk about the film. I actual met Mr Ozwald Boateng late last year as I was passing his store and he stopped me and complimented me on my style which was probably one of the best accolades I have had so far.
While he was there he also gave as details about a design competition. Please go and vote for my work on 'A Man's Story' Facebook page. You can see and vote for my designs by following these links and liking the page, then just click 'vote' on my designs so hopefully I have a chance to go and spend some time at the Ozwald Boateng studio.
Mood Board
Fabric and Accessories Board
Design Development
Final Designs
'A Man's Story' is a documentary film about his journey through the fashion industry and the ups and downs that has lead to his success. Director and film maker Varon Bonicos follow and film Ozwald over 12 years capturing ever part of his personal and professional life.
The man has such an energy, charisma and passion it is hard not to be captivated by him and this film is a great insight into the man behind the cloths. You can feel the love and passion of what he does in this film, for example the way he gets an energetic buzz about him and will dance about when he is working and creating, which reminds me of how I feel when I do some great work or have a great idea and it makes my adrenaline flow and I cant keep still.
What I found most interesting about this film is that Ozwald bares all and is very open about the struggle and sacrifices he had to make to get to where he is today. On the face of it Ozwald comes across as this invincible and confident force of nature, but it was inspiring to see that it wasn't all smooth sailing and that his journey included some low points like divorce, financial troubles and even a whole collection being stolen along the way. But it was nothing that he could not over come with a lot of hard work and drive, which as someone who is one of my role models it truly inspiring and gave me confidence in that also being a Bespoke tailor that anything is possible.
I would like to thank Ozwald boateng as it was after seeing him and his work on a TV documentary that he made a couple of years ago call 'Why style Matters' it inspired me to be a Bespoke Tailor/design in the first place. So it was an honour to be able to be invited to this special screen along with the Q&A and listen to him talk about the film. I actual met Mr Ozwald Boateng late last year as I was passing his store and he stopped me and complimented me on my style which was probably one of the best accolades I have had so far.
While he was there he also gave as details about a design competition. Please go and vote for my work on 'A Man's Story' Facebook page. You can see and vote for my designs by following these links and liking the page, then just click 'vote' on my designs so hopefully I have a chance to go and spend some time at the Ozwald Boateng studio.
Mood Board
Fabric and Accessories Board
Design Development
Final Designs
12/02/2012
ACTION!
Fashion Virals are every at the moment and far be it for me to complain but most off them bug me. They are too long and depressing, either homo-erroctic or models in underwear, pretentious and obscurer. Don't get me wrong I am the last person to complain about avant-garde pretentiousness but it's saying something when even I can't even sit through them. Also I will be making my own in June so I hope don't end up eating my words, but I will let you be the judge of that. So I have picked out 8 of my favourites that either don't take themselves to seriously, are fun and/or interesting to watch (ok some of them are still pretentious or have girls in underwear, but hey that's fashion). And see if you can spot a certain handsome moustached man in one of them (...yes me!).
Enjoy 2011 from Alvaro de la Herrán on Vimeo.
Esquivel from David Hubert on Vimeo.
574 - Classic is New from dee on Vimeo.
Enjoy 2011 from Alvaro de la Herrán on Vimeo.
Esquivel from David Hubert on Vimeo.
574 - Classic is New from dee on Vimeo.
06/02/2012
BBC3 Young Tailor of the Year 2012 2 of 2
....continuing on from my previous post.
I also wanted to thank everyone involved in the filming of Young Tailor of the Year. It was such a great experience. For the final show we were all put into a hotel up in beautiful Suffolk for two days while it was filmed at a former United States Air Force base.
It was a crazy, long, and stressful two days but everyone was so lovely, all the production team and crew, and the other contestants and there friends and family, we all had such a good time.
One frustrating thing about getting knocked out first was that nobody got to see the jacket that I made. In the last challenge Emma and Katie had to finish a jacket they had started prior by fitting the sleeves and top collar. Of course not knowing which one of us was going to get through we all had to make a jacket to the same level.
About a week before the filming in suffolk we each went in turn to Richard Anderson's on Savile Row and was given an allotted time to measure up our models. After taking a full set of measurements and being given a £200 budget for cloth we then had a week to design and make a jacket up to the point of setting the leaves and putting on the top collar.
I little side note that I want to bring up...in the finishing task on the show I was critised because I did a little bit of everything instead of following the correct process. When for these jackets we had to do all the finishings and fastening before we put the sleeves in which is not the correct procedure. So I thought that to be a little hypocritical.
Anyway during my fitting I discussed with Chris (my model) the best look for him as I wanted to treat him like a customer. This is one on the best parts of the job and one that I am probably best at, again shame you didn't get to see if.
Our brief was as follows:
After talking with Chris about the syle and cut of clothing he wears I decided on a very slim fitting modern look with slender sleeves, nipped in at the waist and an almost cropped short style length. Style wise I had been doing a project about the Tuxedo and how it was often made in Midnight blue because black can look dark green under artificial light. So what did I do? I asked myself whats wrong with it looking green? I like green. So a middle finger up to to midnight blue I shall make a green tuxedo.
I found some beautiful 9oz British racing green wool from the lovely people at Holland and Sherry on Savile Row. Together with black silk moire facings to give it a vintage traditional feel and matched with some skinny creased shinny black tonic trousers to bring it up to date.
You can see I lined it with a amazing shot black and purple satin and lined the sleeves, pocket jets and piped the edge in pearl white. I also used a wonderful ornate British East India Trading Company crest button and prick stitched the front edge in a lilac.
I also wanted to thank everyone involved in the filming of Young Tailor of the Year. It was such a great experience. For the final show we were all put into a hotel up in beautiful Suffolk for two days while it was filmed at a former United States Air Force base.
It was a crazy, long, and stressful two days but everyone was so lovely, all the production team and crew, and the other contestants and there friends and family, we all had such a good time.
One frustrating thing about getting knocked out first was that nobody got to see the jacket that I made. In the last challenge Emma and Katie had to finish a jacket they had started prior by fitting the sleeves and top collar. Of course not knowing which one of us was going to get through we all had to make a jacket to the same level.
About a week before the filming in suffolk we each went in turn to Richard Anderson's on Savile Row and was given an allotted time to measure up our models. After taking a full set of measurements and being given a £200 budget for cloth we then had a week to design and make a jacket up to the point of setting the leaves and putting on the top collar.
I little side note that I want to bring up...in the finishing task on the show I was critised because I did a little bit of everything instead of following the correct process. When for these jackets we had to do all the finishings and fastening before we put the sleeves in which is not the correct procedure. So I thought that to be a little hypocritical.
Anyway during my fitting I discussed with Chris (my model) the best look for him as I wanted to treat him like a customer. This is one on the best parts of the job and one that I am probably best at, again shame you didn't get to see if.
Our brief was as follows:
'Your male model is due to attend a red carpet event, he wants a show stopping garment that will impress those in the style industry and the media. He is young and fashion conscious with an eye for the finer things in life. He usually appears in the ‘best dressed’ columns and is praised for having a real eye for detail.'
Mood/colour and client brief board |
I found some beautiful 9oz British racing green wool from the lovely people at Holland and Sherry on Savile Row. Together with black silk moire facings to give it a vintage traditional feel and matched with some skinny creased shinny black tonic trousers to bring it up to date.
After getting the fabric and the design was done I now had one week to get to the necessary stage with only one fitting in-between. One week, one fitting, this was no easy task and I had not worked within this sort of time scale before and was a mean feet for anybody, but I wasn't about to give up. I got into a quiet comfortable rythem at home and worked my socks off (metaphorically of course as I wear sock suspenders). After drafting a pattern from Chris's measurements I cut and made up a first baste which I took back to Richard Andersons to do a first fitting. I was glad when the jacket was almost perfect, there was of course some minor changes that need to be made but that is the nature of the business.
Even though the fitting went well I still had a few days to get it ready. I had to start by ripping down the first baste making it up to a straight finish with lining, pockets, detailing, fastings and finishings.
It was hard work but I did it.
So you can see my disappointment in that after all that I did not get through to the final two and this meant my jacket would not be on the show and considering the time scale it was made in, it is some of my best work, technically and design wise.
There is always a silver lining though (or in this case a purple with pearl white piped lining)
As not getting to finish the jacket while i was there, I was not going to go home empty handed so i decide to alter to jacket to fit myself. Not a quick job but I wasn't going to let this beautiful jacket go to waste.
You can see I lined it with a amazing shot black and purple satin and lined the sleeves, pocket jets and piped the edge in pearl white. I also used a wonderful ornate British East India Trading Company crest button and prick stitched the front edge in a lilac.
I used a purple and green cashmere to make a lower inside phone patch pocket. Plus I used vintage check wools to line the inside facings of all the pockets.
As you can see I went all out on the jacket, I even made a bow-tie and pocket handkerchief to match the lining. So here is the finished product.
Subscribe to:
Posts (Atom)